Die italienischen Okkult Doomer um die fantastische Sängerin Sara für Freunde von Tribulation, Killing Joke, Myrkur, Chelsea Wolfe, Pentagram, Windhand, Jex Thoth.
Ich kann gar nicht in Worte fassen, wie umwerfend ich diese Band finde: Live strahlen die eine unheimliche Energie aus, und die erste Single verrät, in welche Richtung es auf der neuen Platte THE SPIN geht: die haben noch mal eine Extra Portion 80s Waverock über ihren Crimson Doom gestreut, was ausgezeichnet funktioniert! Damit sind die zwar nicht die einzigen, aber die besten.
Eine derarte geschmackvolle Gestaltungskraft muss man erstmal aufbringen: an allen Instrumenten fähige Leute, dieses Gitarrenspiel treibt mich in den Wahnsinn, aber der Gesang...? CHECK OUT! Unbedingter Kandidat für eine Top 10 2025.
Sailing past their tenth anniversary in 2024, MESSA takes another step towards legendary status with their majestic fourth album The Spin, which takes its listeners on a breathtaking journey across the wide-open skies of their creative imagination and over a compelling landscape of moods, twists, and styles. Based in the band’s eclectic, self-defined “scarlet doom” sound, The Spin rises, falls, broods, bites, comforts, and destroys, all the while resounding with both instinctive magic and obsessive, concerted hard work. After lighting up the underground with a triptych of increasingly distinctive and wondrous records – 2016′s Belfry, 2018′s Feast For Water, and 2022′s Close – MESSA is audibly equipped for the proverbial big leagues.
Palpably assembled with love and care, MESSA‘s heightened craftsmanship rings loud from the album’s elegant architecture. Written over six weeks of intensive daily sessions, in a 500-year-old villa close to the quartet’s beautiful hometown of Bassano Del Grappa (VI) in Northern Italy, MESSA applied scrupulously high standards to the process, even while challenging themselves to change the way they work. “When we recorded Close back in 2021, we wanted to be all in the same room together,” explains the band. “This time we decided to do the exact opposite. We recorded the album in three different locations and timings. This record has seen a lot of rearrangement of the same musical material in order to make a coherent work from start to finish. We also aimed at making the songs work with the most minimal structure while trying not to repeat ourselves too much. We applied a simple rule: if you hear the same thing twice it’s enough. Three times? It gets boring.”
MESSA‘s signature sound absorbs influences from jazz and blues, punk and prog, and black metal and dark ambient, but their restless experimentalism has extraordinarily smooth and assured results. The Spin incorporates another new element, interpolating an ’80s goth rock vibe in typically full-blooded fashion. “We don’t like to repeat ourselves and we constantly try to find a new language to express while keeping our identity,” stresses the band. “This time we delved into a territory we had never explored before, which is the decade of the 1980s. We are aware that many bands before us took inspiration from that era, but we decided to be careless and run away with it mainly because we get involved and question what we do. We are not part of the ‘dark scene’ in any way. The influence for this record looks back to the early goth rock/dark wave rather than the later emanations of the genre.” In addition to Sisters Of Mercy and Virgin Prunes, the band cites records by Killing Joke, Mercyful Fate, Jimmy Page, Journey, The Sound, Boy Harsher, and Vangelis as impacting significantly upon the creation of The Spin.
In advance of the release of The Spin, MESSA today unveils a video for the record’s first single, “At Races.” The band elaborates, “This song is about the pressure we feel coming from the outside world. Expectation often is the root of pain and we sense the strain of the weight other people lay upon our shoulders. This song is born from our devotion to Killing Joke’s sonic language: our use of chorus-laden guitar tapestries and synthesizers is a nod to their work during the ’80s.”
